Alexander Jaramillo · Filmmaker · Atlanta
An arena before the doors open. A stage before the set goes up. A frame before anyone steps into it. For more than fifteen years the job has been the same: fill the space with something people believe in. I shoot and make films, and I produce live experiences at global scale.
Cinematography reel
Directing, cinematography and camera operating. I own and run ARRI Alexa Mini and RED packages.
Director · Producer
Horror short. Official Selection, Crimson Screen Horror Film Fest, 2015.
The threads of fate tangle when two Cuban military veterans with murderous tendencies kidnap four unsuspecting women.
Se enredan los hilos del destino cuando dos veteranos del militar Cubano con tendencias de asesinos, secuestran a cuatro mujeres desprevenidas.
Watch the filmSelected credits
Live
I lead live event production for The Coca-Cola Company: the Olympic Games, the FIFA World Cup, March Madness. Empty venues, fixed doors-open times, and no second take. It is where I learned to plan for the failure before it happens.
Events
Formula 1 · Shaky Knees · Rolling Loud · Braves World Series 2021 · One MusicFest · Suwannee Hulaween
Broadcast
OWN · ABC · FOX · Telemundo · Court TV · ION Media
Shot list, schedule and budget are done before the stage clock starts, so the day goes to the work.
Insurance certificates, call sheets and deal memos arrive before you have to ask for them.
Live broadcast leaves no room for panic. Every plan has a backup, and the crew knows it.
About
Live production taught me the rest. Since 2012 I've built shows out of empty arenas, ballrooms and broadcast trucks, from music festivals to the World Series to the Olympic Games. Every one started as a space with nothing in it and a date it had to be ready.
A film set works the same way. You walk onto a dark stage, and a few days later there's a world on it that people believe. That is the work I want to do, and the reason this company exists.
Studios, actors, crew and vendors: tell me what you're working on.
Atlanta, Georgia