RESUME

I’ve held many titles, but producing sublime experiences is always the end result.

Live Event Production Specialist at The Coca-Cola Company

• Set up and operate production switchers and all associated technical equipment in a control room environment (occasionally remotes) during show build, pre-production, and taped/live events.

• Orchestrate control room set up while simultaneously evaluating and assigning all video inputs taking into consideration timing and video levels.

Broadcast Engineer at NEXTECH AR SOLUTIONS

• Produce and stream live virtual productions using vMix

• Operate switcher, NDI camera sources, audio, graphics

Producer, pm, Cinematographer at freelance

• Clients: COTEC Portugal, Lilly Pulitzer, Delta Air Lines, Southwest Airlines, Komatsu, Alumina, Embraer,

• Agencies: Vilas Entertainment, Anvil Management, PROM Creative, Poolhouse Digital

• Production Co.: Artex Productions, OWN, ABC, FOX, Comcast Spotlight, MU2, Eif Rivera, Gil Green, Hype Williams, ION Media, Lightworks Productions, Telemundo, Court TV

Photojournalist at Court TV

• Capturing gavel-to-gavel coverage of court cases, in-depth legal reporting, and expert analysis of the nation's most important and compelling trials.

Field Producer at Comcast Spotlight

• Consult creatively with clients and generate scripts

• Obtain permits, rent equipment, secure locations, hire talent and additional crew, setup shots, illuminate scenes, mic and mix audio, record, direct, edit drafts and send to editors for QC

• Corporate, Cable, automotive, retail, culinary, restaurant, educational, tabletop, green screen, long format

Cam, audio, lighting, & stage tech at rhino studios

• Direct/shoot interviews and BROLL for infomercials

• Manage, rig, and light cyclorama stages for special effects, interviews, automotive and fashion photography